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A metaphysical kammerspiel about political fight, betrayal, madness, focusing on a exiled communist couple during a train journey in the early months of WWII.

Martha, Yasmin, Jamie and Sam live in a shared apartment in Kreuzberg. Martha is from France, Yasmin from Germany, Jamie from the U.S. and Sam from Cameroon. They sit in their kitchen, cook for each other and dance together. But, compared to his flatmates, Sam left his country, because he needed to take refuge. The camera subtly catches the inequity that evolves between the four characters. Club Europe is a film about millennials who want to act more supportive and altruistic than their parents and need to face the question how far they really want to go in order to help.

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Experienced judge Lena Kalbach works at the district court in Frankfurt, the capital of Hesse. She is a woman with moral principles - and when she sees them violated, she doesn't take her legal duties too seriously. For example, when the shrewd lawyer Teddy Klein succeeds in getting a client acquitted using shady methods. Outraged, Lena refuses to accept the verdict. As punishment, the rebellious judge is transferred from the district court to a local court. She is immediately transferred to her old hometown of Fulda in eastern Hesse, of all places. For Lena, this is a professional and social relegation, as she left her hometown 30 years ago "because of the cramped conditions". Her grown-up daughter Nike, who works as a public prosecutor at the local court, lives here with her husband Johannes and their two children Clara and Emanuel.

Parabeton – Pier Luigi Nervi and Roman Concrete begins with the earliest surviving concrete dome from the 1st century BC in Baiae, near Naples. It then presents 17 buildings by Pier Luigi Nervi (1891-1979), a master of concrete architecture. Featured structures include the Pirelli skyscraper in Milan, UNESCO Headquarters in Paris, Palazzo del Lavoro in Turin, Palazzo dello Sport in Rome, and the Papal Audience Hall in Vatican City. The film intermittently examines significant Roman buildings like the Pantheon, Baths of Caracalla, and Hadrian's Villa, linking Nervi’s innovative work with ancient Roman concrete architecture.

The Italian producer Enrico Ghezzi commissioned the movie to Jean-Marie Straub and Danièle Huillet to celebrate Roberto Rossellini's centenary. Asked to imagine a moment in the life or the death of Ingrid Bergman's character in Europa '51, their reading of Rossellini yielded this political pamphlet about the death of two Parisian youngsters who, chased by the police, hid in a high-voltage electric transformer and burned to death. Less than three weeks after their death, the banlieus were burning.